Movie Review: Why Did I Get Married Again?
It brings back the familiar gang for another chaotic wedding filled with secrets, cheating, emotional revelations, punches, and plenty of comedy, and while the film delivers some genuinely touching conversations and nostalgic moments, especially through Sheila’s story, it ultimately falls short of the previous instalments and feels like a sequel driven more by nostalgia than a story that truly needed to be told.
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The A24 house style, decoded
How a mid-sized distributor turned a color palette and a soundtrack sensibility into a recognisable brand of American film.
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Villeneuve's Dune Part Two blocking
The second Dune film is a masterclass in how to move actors through negative space — and how to make an epic feel human.
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News
News
Cannes jury shortlist reactions
The final week's screenings produced a compressed shortlist and an unusually noisy set of industry reactions.
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TV
The Bear's kitchen-choreography language
FX's kitchen drama is really a movement piece — its blocking is closer to modern dance than to workplace television.
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Spotlight
“Nigerian audiences are the most demanding audiences alive.”
Kemi Adetiba
Director
Director of King of Boys and its television spin-offs — political drama with Lagos as the set and a taste for baroque power.
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Kemi AdetibaDirector
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Mati DiopDirector / Screenwriter
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Wanuri KahiuDirector / Author
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Genevieve NnajiActor / Director
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Opinion
Opinion
Why we still need the mid-budget movie
The film industry's argument against the mid-budget theatrical release is an economic one — and it deserves a cultural rebuttal.
Kiribé Editor
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Events
Events
TIFF's African Cinema Pavilion
Toronto's new permanent pavilion is the most concrete institutional commitment to African cinema any major festival has yet made.
Kiribé Editor
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